{"id":2890,"date":"2017-03-31T02:17:58","date_gmt":"2017-03-31T00:17:58","guid":{"rendered":"http:\/\/alonsobenjamin.com\/?p=2890"},"modified":"2018-10-26T02:45:18","modified_gmt":"2018-10-26T00:45:18","slug":"nuevos-asedios-al-teatro-contemporaneo","status":"publish","type":"post","link":"http:\/\/alonsobenjamin.com\/?p=2890","title":{"rendered":"NUEVOS ASEDIOS AL TEATRO CONTEMPOR\u00c1NEO"},"content":{"rendered":"

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NUEVOS ASEDIOS AL TEATRO CONTEMPOR\u00c1NEO<\/strong><\/a><\/h2>\n

La Editorial Fundamentos acaba de publicar el libro\u00a0Nuevos asedios al\u00a0teatro contempor\u00e1neo: Creaci\u00f3n, experimentaci\u00f3n\u00a0y difusi\u00f3n en los siglos XX y XXI (Espa\u00f1a-Francia-Am\u00e9ria) <\/b><\/em>con veintis\u00e9is estudios que analizan las nuevas dramaturgias y puestas en escena en los siglos XX y XXI, haciendo hincapi\u00e9 en la evoluci\u00f3n formal del texto dram\u00e1tico, las innovaciones en los montajes, y la comunicaci\u00f3n, a veces incluso participaci\u00f3n, con el p\u00fablico.<\/p>\n

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Mi colaboraci\u00f3n con el art\u00edculo\u00a0\u00abRobert Lepage o el sue\u00f1o de \u00cdcaro\u00bb\u00a0<\/strong>es un an\u00e1lisis y una reflexi\u00f3n\u00a0sobre la metodolog\u00eda de trabajo y los\u00a0procesos\u00a0de creaci\u00f3n del multipremiado director quebequense Robert Lepage, a trav\u00e9s de tres de sus espect\u00e1culos en solitario.<\/p>\n

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Las personas interesadas en leer este art\u00edculo completo pueden solicitarlo a trav\u00e9s del formulario de la web +info<\/strong><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

NUEVOS ASEDIOS AL TEATRO CONTEMPOR\u00c1NEO La Editorial Fundamentos acaba de publicar el libro\u00a0Nuevos asedios al\u00a0teatro contempor\u00e1neo: Creaci\u00f3n, experimentaci\u00f3n\u00a0y difusi\u00f3n en los siglos XX y XXI (Espa\u00f1a-Francia-Am\u00e9ria) con veintis\u00e9is estudios que analizan las nuevas dramaturgias y puestas en escena en los siglos XX y XXI, haciendo hincapi\u00e9 en la evoluci\u00f3n formal del texto dram\u00e1tico, las innovaciones<\/p>\n

Read More<\/a><\/div>\n","protected":false},"author":2,"featured_media":2840,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52],"tags":[],"class_list":["post-2890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2017\/03\/Fundamentos.-Portada-1.jpg?fit=500%2C706","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/posts\/2890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2890"}],"version-history":[{"count":22,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/posts\/2890\/revisions"}],"predecessor-version":[{"id":3202,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/posts\/2890\/revisions\/3202"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/media\/2840"}],"wp:attachment":[{"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2890"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}