{"id":3789,"date":"2026-09-27T15:49:31","date_gmt":"2026-09-27T13:49:31","guid":{"rendered":"http:\/\/alonsobenjamin.com\/?p=3789"},"modified":"2026-09-27T15:56:38","modified_gmt":"2026-09-27T13:56:38","slug":"como-se-pone-en-pie-una-obra-de-teatro","status":"publish","type":"post","link":"http:\/\/alonsobenjamin.com\/?p=3789","title":{"rendered":"COMO SE PONE EN PIE UNA OBRA DE TEATRO"},"content":{"rendered":"<h2 style=\"text-align: center;\"><a href=\"http:\/\/alonsobenjamin.com\/?p=3789&amp;preview=true\" target=\"_blank\" rel=\"noopener\">COMO SE PONE EN PIE UNA OBRA DE TEATRO<\/a><\/h2>\n<p style=\"text-align: justify;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3790\" src=\"https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2.jpg?resize=300%2C450\" alt=\"\" width=\"300\" height=\"450\" srcset=\"https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2-scaled.jpg?resize=167%2C250 167w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2-scaled.jpg?resize=683%2C1024 683w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2-scaled.jpg?resize=768%2C1152 768w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2-scaled.jpg?resize=1024%2C1536 1024w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2-scaled.jpg?resize=1365%2C2048 1365w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2-scaled.jpg?w=1707 1707w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2-scaled.jpg?w=1180 1180w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3791\" src=\"https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Entrevista-pp.-269-274.-2-scaled-e1790515236760-169x250.jpg?resize=191%2C283\" alt=\"\" width=\"191\" height=\"283\" srcset=\"https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Entrevista-pp.-269-274.-2-scaled-e1790515236760.jpg?resize=169%2C250 169w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Entrevista-pp.-269-274.-2-scaled-e1790515236760.jpg?resize=693%2C1024 693w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Entrevista-pp.-269-274.-2-scaled-e1790515236760.jpg?resize=768%2C1135 768w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Entrevista-pp.-269-274.-2-scaled-e1790515236760.jpg?resize=1039%2C1536 1039w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Entrevista-pp.-269-274.-2-scaled-e1790515236760.jpg?resize=1386%2C2048 1386w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Entrevista-pp.-269-274.-2-scaled-e1790515236760.jpg?w=1553 1553w, https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Entrevista-pp.-269-274.-2-scaled-e1790515236760.jpg?w=1180 1180w\" sizes=\"auto, (max-width: 191px) 100vw, 191px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Hay proyectos que permiten volver sobre una parte esencial de la propia trayectoria profesional y mirarla con cierta distancia. Mi participaci\u00f3n en el libro <a href=\"https:\/\/www.catedra.com\/libro\/teatro-y-artes-escenicas\/como-se-pone-en-pie-una-obra-de-teatro-natalia-menendez-9788437650081\/\" target=\"_blank\" rel=\"noopener\"><strong><em>C\u00f3mo se pone en pie una obra de teatro. Manual para ayudantes de direcci\u00f3n<\/em><\/strong><\/a>, publicado por C\u00e1tedra (2026), ha sido una ocasi\u00f3n para reflexionar sobre mi experiencia como ayudante de direcci\u00f3n y sobre el lugar que ocupa esta labor dentro del proceso de creaci\u00f3n esc\u00e9nica.<\/p>\n<p style=\"text-align: justify;\">En esta colaboraci\u00f3n como entrevistado, comparto mi experiencia profesional y recorrido como ayudante de direcci\u00f3n, estrechamente relacionado con mi labor de direcci\u00f3n de movimiento esc\u00e9nico y core\u00f3grafo. Estas dos dimensiones no han funcionado como actividades separadas, sino como pr\u00e1cticas que se han alimentado mutuamente a lo largo de los a\u00f1os.<\/p>\n<p>El libro, con edici\u00f3n de Natalia Men\u00e9ndez, re\u00fane las voces y experiencias de distintos profesionales vinculados a la direcci\u00f3n teatral y dedica una atenci\u00f3n espec\u00edfica a la figura y labor, no siempre visible, del ayudante de direcci\u00f3n de escena. Su prop\u00f3sito es acompa\u00f1ar al lector antes, durante y despu\u00e9s del montaje, explicando tanto la naturaleza del oficio de ayudant\u00eda, como sus estructuras de trabajo y sus responsabilidades cotidianas.<\/p>\n<p style=\"text-align: left;\"><strong>Editorial: <\/strong>Ediciones C\u00e1tedra<br \/>\n<strong>ISBN:<\/strong>9788437650081<br \/>\n<strong>N\u00famero de p\u00e1ginas: <\/strong>344<br \/>\n<strong>A\u00f1o de edici\u00f3n: <\/strong>2026<br \/>\n<strong>Colecci\u00f3n:<\/strong> Teatro y artes esc\u00e9nicas<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>COMO SE PONE EN PIE UNA OBRA DE TEATRO &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Hay proyectos que permiten volver sobre una parte esencial de la propia trayectoria profesional y mirarla con cierta distancia. Mi participaci\u00f3n en el libro C\u00f3mo se pone en pie una obra de teatro. Manual para ayudantes de<\/p>\n<div class=\"read-more\"><a href=\"http:\/\/alonsobenjamin.com\/?p=3789\">Read More<\/a><\/div>\n","protected":false},"author":2,"featured_media":3790,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[52,2,74],"tags":[184,93,186,185],"class_list":["post-3789","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-colaboracion","category-publicaciones","tag-ayudantia-de-direccion","tag-benjamin-alonso","tag-como-se-pone-en-pie-una-obra-de-teatro","tag-produccion-teatral"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/alonsobenjamin.com\/wp-content\/uploads\/2026\/09\/Portada-libro-2-scaled.jpg?fit=1707%2C2560","_links":{"self":[{"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/posts\/3789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3789"}],"version-history":[{"count":20,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/posts\/3789\/revisions"}],"predecessor-version":[{"id":3815,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=\/wp\/v2\/posts\/3789\/revisions\/3815"}],"wp:attachment":[{"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3789"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/alonsobenjamin.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}